By Eva-Maria Egger
Every day we
hear and read about the horrific events in Syria, about refugees dying in the Mediterranean Sea, running from European police at borders, and still we cannot
grasp that this is the reality of ordinary people.
What does it
mean to be a refugee? What does it feel like to leave your home to be
destroyed, not knowing when you will return - if ever - and what you will find
left upon your return? How can you cope with the horrors you saw in war? When
will you hold your children, your mother, in your arms again? What is it like
to be constantly asked what it is like? Who will really help you? Who will let
you into their country and into their home when you seek shelter? Articles and
videos of journalists and researchers try to give answers to these questions.
However, nothing compares to having a person look you in the eye and tell you
their story.
In the
theatre production ‘Queens
of Syria’ Syrian refugee women from a refugee camp in Jordan tell their
stories, each one at her own pace, with her own voice, with her own strength
and with all her vulnerability, and each one with the motivation that “I have a scream I have to let out. I want
the world to hear it.” There is little that is this powerful to get a
message across. There is little that is so purely human. There are few moments
in which I felt so close, yet so distant to these women and their realities.
One Syrian woman in the play said, that she wondered why telling her story in
the form of a play would be of any use, but then she learned that the British really
like theatre and that they take it very seriously. Thus, she understood that
she would have to do theatre to make the British listen to her story.
As a
migration researcher, this experience made me reflect on how we can communicate
our research results. We should aim not only for methodologically and
theoretically sound journal articles but also for ways that make everyone, from
policy makers through to ordinary citizens and to researchers, understand that
these topics are human realities. Thus, I am very excited to read the comic
recently published by the Migrating out of Poverty
consortium. It is one result from research our Sussex colleague Robert
Nurick and Cambodian colleague Sochanny Hak conducted in Cambodia. The comic, Precarious
Migration: Voices of Undocumented Cambodian Migrants, tells the story of
irregular Cambodian migrants who move to Thailand in search of a better life
and for a job that pays them enough to support their family, whom they’ve left
behind. These people take risks that we cannot imagine, but the comic helps the
reader to gain an idea of these experiences. In a few pages, in a few pictures,
a range of emotions, from hope to fear, from desperation to relief, find their
space. In this way, thousands of unheard voices, scarcely ever talked about in
the news, are given the space to tell their story. And we, as researchers, and
as ordinary citizens, get a little bit closer to their realities.
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